KILL DICK
(SPring 2026 | Red hen press)
Dark, satirical, and unflinchingly honest, Kill Dick reveals the dangerous intersection of power, addiction, and privilege.
“Snoozing by the pool, feeling nothing, high. Dried cornflakes on her chin stuck like glue. She was safe. This was Brentwood.”
— Kill Dick (Red Hen Press, 2026)
PRAISE FOR KILL DICK
“For lovers of Bret Easton Ellis, Luke Goebel’s KILL DICK renders a pop-infused and murderous portrait of an iconic Los Angeles on fire complete with pools, pills, ennui, murders, and a cacophony of brands. But this novel has a timely pulse, and Goebel—with his gorgeous sentences and imagistic prowess—pulls off one of the hardest tricks of all: making morality fun.”
-Melissa Broder, author of Death Valley
“Luke Goebel’s KILL DICK is a hypnotic descent into wealth, chaos, and the deranged art of self-destruction. It’s like if Joan Didion and Hunter S. Thompson had a love child raised on Oxy and existential dread—impossible to look away from. The prose moves like stolen cash, the world is decadent and rotting at the edges. Honestly, if you’re not reading this book, what are you doing? Probably something dull and unpaid. Consider this your invitation to the party—just don’t expect to leave unscathed.”
— Anna Delvey
“Like Eve Babitz before him, he seems to love and understand the city as few do, but Goebel's eye, his sly, metafictive wit, and above all his language are entirely his own”
— Matthew Specktor
“Luke may be one of the last few geniuses we have left in this life. I mean that. He’s a good boy with a lot of pain in his heart.”
― Scott McClanahan
“If this book were any better, I’d cut my own head off.”
― Ottessa Moshfegh
"Stunning. Part noir thriller, part searing social commentary, KILL DICK follows a young artist-turned-addict through the dark, unforgiving, and stratified streets of Los Angeles, as she confronts her father's complicity in the opioid epidemic. In bleak, beautiful prose, Luke Goebel weaves together a narrative that exposes the savage heart of privilege and power, raising questions about truth, memory, and the nature of storytelling itself. With haunting descriptions of a city literally and metaphorically aflame, KILL DICK captures the burning zeitgeist of our time."
― Kimberly King Parsons
“Someone I think I can trust.”
— Giancarlo DiTrapano. Founder of Tyrant Books.
“…engrossing, fanatical, full of private grief, and yet charismatic, tender, and intrepid, aglow with more spirit than most Americans have the right to wield."
― Blake Butler
“KILL DICK is a fever dream. Luke Goebel perfectly captures the consciousness of a certain kind of woman—raw, lonely, desperate, and cinematic. Full of grief and longing, it’s got some of the most unforgettable sentences I’ve ever read. This book makes me want to write a crime novel, move to LA, or maybe just become a killer. Goebel is something else.”
― Harriet Armstrong — Author of To Rest Our Minds and Bodies (UK author under 25)
At 19, Susie Vogelman should be coasting: an NYU dropout with no responsibilities, endless prescription pills, and a Brentwood estate to waste away in. But Los Angeles has other plans. A string of brutal murders targeting addicts spreads through the city, and Susie’s ivory tower begins to crumble. The headlines point too close to home: her father’s ties to an opioid empire, a sinister secret society, and her own complicity in the systems holding it all together.
Then there’s Peter Holiday, a disgraced professor running a rehab scam so audacious it’s almost admirable. When their lives collide, Susie and Peter are dragged into a web of privilege, corruption, and violence, where every escape leads deeper into the rot.
Dark, satirical, and razor-sharp, Kill Dick is a modern thriller that unflinchingly dissects wealth, exploitation, and the perilous line between survival and self-destruction.
Fourteen stories, none of them are yours
“If Kerouac were writing today, his work might look something like this―and despite the title, many of the stories are indeed ours, as they focus on love and loss, pain and yearning.… This is a fierce, untamed, riotous book―and from the first page you’ll know you’re not reading Jane Austen.”
―Kirkus
"...[I]t is apparent that Goebel has announced himself as a proud new talent and of stronger voice than most of the writers, bless them, working to further the forms of the novel."
―Southeast Review
"Goebel’s tour de force swiftly seduced me, and I set aside my own experience in order to ride his loop out past the farther planets and back to the heart’s interior."
―Brooklyn Rail
"Goebel is clearly a very talented writer, and his experiment in this collection is noble."
―Publishers Weekly
“Luke B. Goebel’s Fourteen Stories, None of Them Are Yours (Fiction Collective Two) is a thunderous, fantastical debut novel.”
―Interview
“...the pleasures of Fourteen Stories, None of Them Are Yours come so fast and frequent you’ll even overlook that there are, actually, only thirteen stories in the table of contents.”
―Electric Literature
“It’s a book I carried around for weeks and whose pages, which I often returned to again and again, are rippled, dog-eared, and covered in ink and underlines.”
―The Rumpus